How is it that Paris carries with it so much romance, loveliness, loneliness, and sorrow? It’s not a cliché, it’s truth. Our hotel – St. Severin – sever – I feel severed. Severed from home, from my friends, even from my family. I don’t really know my brother. I’m years away from my parents, though they’re just down the hall, and I’m learning to understand them more. I wonder how they’re beginning to understand me.
I wonder how I’m beginning to understand me.
The hours are falling into darkness and the sun will set on the city of lights in a few short hours. Now the wind is warm, but it will blow cold across the Seine tonight. A late rain is expected. I need more tobacco. I need more wonder.
As I write this an old man across the street and two floors below me is on his balcony, watering his plants. Above the building’s entrance is carved the date 1860. Just around the corner, in a small park, is a tree planted over 400 years ago, and tended all that time.
One more cigarette and if no one stirs I’m hitting the walk-about for half an hour. The bells are ringing a quarter past. Paris beckons.
Copenhagen and Amsterdam were rainy and it felt like fall. I want to buy a sweater here. And I want to see this city, this city especially, under snow. What happens in winter is as true and as revealing as what happens under the skies of summer – but frost and snow make for a deeper hue wherever color is splashed.
I think of two paintings in the Rijksmuseum – van Everdingen’s “Woman Warming Hands over a Brazier” (the woman represents winter), and Lepère’s “Montmartre in the Snow” (actually, in the Van Gogh Museum). Then there’s that Monet and the Caillebotte in the Orsay, no more than a fifteen-minute walk away…
I made a comment to Dad earlier today about the democracy of trains – especially true here in Europe, where trains are such a central aspect of life, a bridge between cities as well as a common denominator between cultures. Time to walk that culture.