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Though Hajdu stops short of judging the censors or drawing conclusions about societal effects of the comic-book scare, "The Ten-Cent Plague’s" sympathetic treatment of comic book writers, artists, and editors places the issues of censorship and persecution squarely in the cultural milieu of the 1950s. Hajdu humanizes the faces behind the comics, bringing life to a nearly forgotten chapter of American history that might aptly be titled “Tales from the Crypt.” In doing so, Hajdu allows readers to draw their own conclusions and leaves them hungry for more - and that's not a bad thing.
This review originally appeared in the April, 2009 issue of The Sacramento Book Review.
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